We’ve Lost the Plot
Our constant need for entertainment has blurred the line between fiction and reality—on television, in American politics, and in our everyday lives.
Our constant need for entertainment has blurred the line between fiction and reality—on television, in American politics, and in our everyday lives.
A new documentary makes the case that Elon Musk is a human of mass destruction.

Twenty-five years ago, Zoolander gave us a power poser for the ages—and an enduring argument about the limits of gender.

Ferris Bueller’s Day Off has avoided a midlife crisis for good reason: It’s a timeless portrait of popularity and truthiness.

How a weird, awkwardly fused creature became the meme of the summer

Trump’s already notorious interview with NBC’s Kristen Welker was a rare up-close portrait of a presidential meltdown.

They came. They posed. They conquered.

The Last Supper makes a conspicuous—and strange—appearance during a gathering of self-styled elites.

Ted Turner was an entrepreneur in a classically American mold. But even the boldest visionaries have their limits.

With the rise of screen culture, all the world has stage fright.

Everyone wants a happy outcome. But sometimes, the greatest relief is any ending at all.
