Denis Villeneuve's stylish, moody drug-war thriller begins as one film, before becoming another not quite as good.
How does the new crop of Iraq War movies stack up against Vietnam-era fare? And how did such an unspeakably bad movie as G.I. Joe ever get made?
Despite moments of emotional power, Kathryn Bigelow's film offers a narrow and unnuanced portrait of the city's 1967 riots.
Some ideas for films about America's pastime that, unlike 42, don't culminate in miraculous home runs
Todd Phillips’s Joker is the biggest contender in an Academy Awards race featuring a single actor of color and no female directors.
The Shape of Water, Get Out, and Three Billboards Outside Ebbing, Missouri dominated, but there were other surprises as well.
In the race for talent, bigotry is self-defeating. That's why the best teams across professional sports have often been the least prejudiced.