Whether red or white, whether drunk by Alicia Florrick or Olivia Pope, the beverage has become a metaphor for anxieties that are uniquely feminine in their form.

Damien Chazelle’s film is a self-aware throwback—one that portrays the limits of worshiping the past.

Deceased stars are bigger business than ever.

A recent book by Emmanuel Iduma expands what writing about the continent can be by paying extraordinary attention to the ebbs and flows of human connection.

The classic rom-com invented the “high-maintenance” woman. Thirty years later, its reductive diagnosis lives on.

A film critic’s new book attacks the medium for diminishing culture. Rarely has David Thomson been more wrong.